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How does Irving use figurative language and word choice to develop Romantic themes?

In "The Legend of Sleepy Hollow," Washington Irving draws readers into the story using figurative language—language that describes one thing in terms of another thing. He also uses words that create a particular mood, or atmosphere, and that express a particular tone or attitude toward his subjects. Click the tabs to learn more about these literary techniques as they are applied by Irving.

Characters

Setting

Plot

Theme

Read the description of Ichabod Crane below, paying special attention to the boldfaced words and phrases.

a scarecrowIn this by-place of nature there abode, in a remote period of American history, that is to say, some thirty years since, a worthy wight of the name of Ichabod Crane, who sojourned, or, as he expressed it, "tarried," in Sleepy Hollow, for the purpose of instructing the children of the vicinity. He was a native of Connecticut, a State which supplies the Union with pioneers for the mind as well as for the forest, and sends forth yearly its legions of frontier woodmen and country schoolmasters. The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weather-cock perched upon his spindle neck to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him, one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield.

Question

What is the overall effect of Irving's figurative descriptions of Ichabod? What tone do these descriptions create?

Irving's figures of speech portray Ichabod as an awkward, gangly, and unappealing figure. His exaggerated descriptions create a comical tone.

Irving's word choices create vivid images of Sleepy Hollow. Try to visualize the story's setting as you read the passage below.

rural field with sun glare

A drowsy, dreamy influence seems to hang over the land, and to pervade the very atmosphere. Some say that the place was bewitched by a High German doctor, during the early days of the settlement; others, that an old Indian chief, the prophet or wizard of his tribe, held his powwows there before the country was discovered by Master Hendrick Hudson. Certain it is, the place still continues under the sway of some witching power, that holds a spell over the minds of the good people, causing them to walk in a continual reverie. They are given to all kinds of marvellous beliefs, are subject to trances and visions, and frequently see strange sights, and hear music and voices in the air. The whole neighborhood abounds with local tales, haunted spots, and twilight superstitions; stars shoot and meteors glare oftener across the valley than in any other part of the country, and the nightmare, with her whole ninefold, seems to make it the favorite scene of her gambols.

Question

What mood or atmosphere does Irving create with the boldfaced words in the passage?

Irving creates a dreamlike mood in which the elements of nature merge with the powers of the supernatural to hold sway over every aspect of people's lives.

Read the passage below, paying special attention to the boldfaced words.

Ichabod Crane pursued by a specterBut if there was a pleasure in all this, while snugly cuddling in the chimney corner of a chamber that was all of a ruddy glow from the crackling wood fire, and where, of course, no spectre dared to show its face, it was dearly purchased by the terrors of his subsequent walk homewards. What fearful shapes and shadows beset his path, amidst the dim and ghastly glare of a snowy night! With what wistful look did he eye every trembling ray of light streaming across the waste fields from some distant window! How often was he appalled by some shrub covered with snow, which, like a sheeted spectre, beset his very path! How often did he shrink with curdling awe at the sound of his own steps on the frosty crust beneath his feet; and dread to look over his shoulder, lest he should behold some uncouth being tramping close behind him! And how often was he thrown into complete dismay by some rushing blast, howling among the trees, in the idea that it was the Galloping Hessian on one of his nightly scourings!

Question

How does Irving create foreshadowing, a hint of events to come, with his description of Ichabod's frightened imaginings on his walks home?

The description of Ichabod's fears, as well as the mentions of the Headless Horseman throughout the story, hint that Ichabod may encounter the "Galloping Hessian" for real.

Read the passage below, looking for evidence of Romantic themes.

sun shining through the trees over a streamI mention this peaceful spot with all possible laud, for it is in such little retired Dutch valleys, found here and there embosomed in the great State of New York, that population, manners, and customs remain fixed, while the great torrent of migration and improvement, which is making such incessant changes in other parts of this restless country, sweeps by them unobserved. They are like those little nooks of still water, which border a rapid stream, where we may see the straw and bubble riding quietly at anchor, or slowly revolving in their mimic harbor, undisturbed by the rush of the passing current. Though many years have elapsed since I trod the drowsy shades of Sleepy Hollow, yet I question whether I should not still find the same trees and the same families vegetating in its sheltered bosom.

Question

What comparison does Irving use to develop the Romantic theme of the nobility of nature versus the negative effects of progress?

Irving says that communities like Sleepy Hollow are "little nooks of still water" compared to "the great torrent of migration and improvement." Although he uses water imagery for both, Irving chooses positive, peaceful language for the country and negative, jarring words for the cities.